Lee Laird

Lee Laird has enjoyed woodworking for over30 years. He is retired from the U.S.P.S. and works for Lie-Nielsen Toolworks as a show staff member, demonstrating tools and training customers. You can email him at lee@lie-nielsen.com or follow him on Twitter at twitter.com/is9582

May 032011
 

Many of my customers have come to me, wanting advice on which of our many block planes they should buy. Often this is prefaced by the fact they want to know this plane will provide a great deal of functionality, as this may be the only plane they purchase. With that in mind, I often suggest our Low Angle Rabbet Block Plane. When you first see this plane, you’ll notice it looks a little bit different from the majority of our other block planes. Just in front of the bronze cap, there is metal (on both sides) in the shape of what almost looks like a half circle. Since the blade on a rabbet plane reaches the full width of the plane (plus about .005”), this unique structure is the most efficient way to attach the front section of the plane.

This block plane will obviously perform admirably in most of the “normal” uses, such as taking wispy thin shavings from long grain or applying a quick chamfer. With the low bedding angle, it can also handle end grain quite well, too. Now since the blade reaches all the way to the edge of the plane body, you can also use it to clean up rabbets and tenons. (A rabbet is a groove cut at the edge of a board, often so another piece of wood will fit into the removed section.) When working on rabbets or tenons, the blade should be set exactly flush with whichever side of the plane will be doing the work. This is so the plane will remove material all the way up to the mating edge, without scoring the connecting face. A quick and easy setup method for this is to lay the plane on the side which will be used. Slightly loosen the spin wheel and gently press the opposite edge of the blade, while keeping the side of the plane flat, so the side of the plane and the blade line up together.  Don’t forget to re-tighten the spin wheel before using the plane.

Always remember to sharpen the blade on any newly purchased tool. We grind the blades to 400 grit at the factory, but a quick honing to 8000 grit will make your tools work so much better. Feel free to take a look at our sharpening demonstration on Youtube, or stop by any of our events, and we’ll be glad to show you in person.

One caveat I like to bring up, especially for those who may not have any other planes. Do not use a rabbet plane on a shooting board. The small band of metal on both sides of the blade on regular planes is what prevents those planes from continually cutting into the shooting board. Since the rabbet plane’s blade is full width, it would destroy the shooting board.

I hope to see some of you at our upcoming events, listed on the Lie-Nielsen website.


Lee Laird has enjoyed woodworking for over 20 years. He is retired from the U.S.P.S. and works for Lie-Nielsen Toolworks as a show staff member, demonstrating tools and training customers.

Apr 282011
 

Beginning woodworkers can take the flat smooth surfaces on our hand planes and other metal tools for granted. And sometimes the seasoned woodworker can as well. Even with the highly accurate grinding and surfacing that occurs at our factory, it can still seem like a bit of a battle pushing some planes across the wood. At least when compared with the same settings, but adding just a quick swipe of paraffin on the sole. I always advise everyone who is trying the paraffin for the first time to make sure they don’t let the tool get away. The first time I used some paraffin, I thought I was going to send the tool flying off the end of the bench. Friction is the enemy. To this end, prevention of friction, or additional friction, is worth the effort. One thing that can certainly add friction is rust. I’m sure most of you have felt a piece of metal that has rusted. It is usually quite rough.

Most people know whether or not they live in an area where rust forms quickly. Many times the areas with elevated rust are near a body of water (ocean, lake, pond…), but high humidity alone will facilitate the formation of Mr. Rust. Obviously (or not so obviously), the bodies of planes made from bronze do not rust, even though the blade is still a potential target for rust. This is because rust is iron oxide. The metals used in most non-bronze planes, however,  are subject to rust. This includes the blade, which is made from steel. Woodworkers will try a multitude of procedures to ward off rust. In our show kits, we will put Jojoba oil onto a rag (Ed. note: camellia oil also works extremely well), and wipe a liberal amount onto all at-risk surfaces. This usually does an excellent job preventing rust formation.  Unfortunately, there can be the rare occasion where even this level of attention is lacking. When we opened up our show kit in Santa Ana California, the tools in the top-most crate were completely covered in rust, but only on the surface facing the lid. And I’m not talking about a few little specs of rust. It looked like the tools had been left out in the rain for weeks, if not months. This kit was in use in Santa Rosa just a week and three days earlier, with no rust. This can be scary, just how fast the heavy rust occurred. Initially we were in shock.

When we finally closed our gaping mouths, we got out our ultra-flat granite plate and a couple of maroon Scotch-brite pads. This combination provides enough abrasive to remove the rust quickly, while limiting the hard metal removal. We made sure to retract the blades, but leave them in the planes, under the same tension as when in use.  Next we applied controlled elbow grease.  I say controlled, since we made sure to keep consistent centralized pressure on whichever side of the plane we were working. If we put pressure onto one edge of plane’s side, there is good chance the flatness of that side would change. This is very similar to the procedure used when sharpening a blade in our honing guide. Centralized pressure results in a square shaped blade, while pressure towards the corners will conversely result in a camber. Strangely enough, even though the rust was covering complete sides of planes, since we’d applied the oil liberally, some of the rust would release when rubbed with a finger.

We worked all of the affected planes, until there was no active rust left. A by-product of rusting is metal staining. Even after the brownish-red active rust is gone, usually there will be some signs that rust was there. If the rust is on a surface long enough, it will also cause pitting in the metal. When the metal pits, it also tends to have rough edges around each pit. These rough areas have a tendency to abrade the wood, so it is unlikely a plane in this condition would provide a useful surface. Luckily, we only had one plane that showed any minimal signs of pitting. The lack of more widespread pitting is likely due to both the diligence shown when applying the oil when packing in Santa Rosa, as well as the short duration since the rust began.

So what can be learned from this? Most tools made from iron or an iron compound are at risk of rusting. Another thing, which in my mind is a bit more distressing, is just how quickly the rust formed. And this was on intentionally protected surfaces. If you live in an area, or take your tools to an area that is prime for rusting, elevate your protection measures. This could include wrapping the oiled tools in Ferro-wrap paper, which is treated with a compound inhibiting rust, or using a paste wax directly on the metal surfaces, or buying a dehumidifier for your tool storage area. Additionally some include desiccant packs in with their tools, to absorb moisture. (Ed. Note: We have found Zerust products are also a great solution: check out the drawer liner and the vapor capsules.)

Try some of these techniques to see what works best for you and your area and also check with some of the local long-time woodworkers, to see what they use.  Do whatever it takes to keep the tool’s surfaces smooth and rust free. You’ll see the difference.

I hope to see some of you at our upcoming events, listed on the Lie-Nielsen website.


Lee Laird has enjoyed woodworking for over 20 years. He is retired from the U.S.P.S. and works for Lie-Nielsen Toolworks as a show staff member, demonstrating tools and training customers.

Apr 152011
 

So what is it about Lie-Nielsen planes that ISN’T Earth “shattering”?

Many of you know the designs we pattern our Lie-Nielsen planes after are primarily the Stanley Bedrock series. The originals were made well and were easier to adjust than most others at the time. When customers either stop by our showroom or one of our events, many will, at the minimum, pick up and check out some of our planes. It’s relatively easy to compare the majority of features, from the thickness of both our cutting irons and plane bodies to the level of fit and finish. But not surprisingly, there are probably aspects of design that go unnoticed.

Most customers who own, or have used an old Stanley, will notice how much heavier our planes are compared to the Stanley brethren. This is due to the difference in the thickness of the castings. Besides being thicker, one of the critical aspects is the material we use for the body of our planes (except for those made of bronze). We use a ductile cast iron. What is this material and how does this compare to the old Stanley planes, as well as other plane makers? Ductile cast iron is a cast iron that has added materials that incorporate with the original materials and provide the ability for flexibility and elasticity, versus the tendency to shatter. Basically, the graphite in ductile cast iron is in the shape of spherical nodules rather than the flakes one would find in grey iron. The spherical nodules can slip past each other more easily, allowing for this flexibility. Designing the perfect blend was accomplished by spending a great deal of time via trial and error. Ultimately, the goal, which we achieved, was to make our Lie-Nielsen plane bodies so they would withstand the stresses the everyday woodworker would apply, and beyond. While I wouldn’t want to do this to my personal planes, our ductile cast iron plane bodies can withstand a drop from 15 feet, without shattering. There will likely be a bent corner, or something similar, but no shattering.

If you would like to know, rather see what happens when similar forces are brought to bear on a plane body using the old cast iron, take a look at the video created by Popular Woodworking Editor Christopher Schwarz. This is assuming you don’t want to destroy an old plane in your own collection. (Besides, it is a bit dangerous, with the flying shrapnel!) I still feel like I ought to at least wear safety glasses while watching this video.

I hope to see some of you at our upcoming events, listed on the Lie-Nielsen website.


Lee Laird has enjoyed woodworking for over 20 years. He is retired from the U.S.P.S. and works for Lie-Nielsen Toolworks as a show staff member, demonstrating tools and training customers.

Apr 012011
 

Many of us have a picture of a certain spokeshave in the back of our mind. You know the one I’m talking about. Somewhat beat up with a mouth that’s open so wide you’d swear it was a big mouth Bass. I personally own two old second-hand shaves that so exemplify this statement. I can get lucky, on occasion, and get a decent cut without the grain tearing out, but it’s not a tool in which I’ve had a lot of faith.

Now cue the cameras to zoom in on the Lie-Nielsen/Brian Boggs collaboration of shaves; specifically, the curved bottom shave. It has decent mass (12 oz), nice Hickory handles, and a to-die-for tight mouth. The sole on this shave has a 5” radius, which provides access to inside curves. You can modify it if you need to work curves with a tighter radius, within reason.

Setting up the shave is very easy. The first thing to remember is a sharp tool is a must. Even though the iron is somewhat sharp from our factory, it should be honed to 8000 grit. The iron comes with a bevel of 25 degrees and the honing is done with a five degree micro bevel, raising the angle to 30 degrees. Since the iron is very short, the honing can be accomplished by holding the iron by hand, or with any of the honing guides geared towards short irons. If you aren’t comfortable with sharpening, you can read one of my previous articles on this blog where I focus on that skill. With a sharp iron, set the shave sole down, so the mouth is on a flat surface. Slightly loosen the thumbscrews, until the iron can move forward to the point of touching the flat surface you are using. Snug up the thumbscrews, and test the cut. This should provide a thin shaving, but it is easy to adjust from this point if it doesn’t. To advance the iron, you can either use light taps with a light weight hammer, or while holding the shave with the mouth facing down, hold one handle and tap the other on a firm surface. If the shaving is too thick, flip the shave over so the mouth is facing towards the ceiling and again, holding one handle, tap the other handle on a firm surface. If the iron doesn’t want to move, very slightly loosen the thumbscrews. If you loosen them too much, the iron will advance/retract in movements larger than optimal. Remember to again snug the thumbscrews down if you made any changes. With these techniques, it is very easy to make small adjustments.

One last adjustment is completely optional, but a good idea. When you are setting your depth of cut, a slight skew in the iron will allow a heavier cut on one side and a lighter cut on the other (e.g. left side heavy and right side light, or vice versa). With this, you can remove material quickly on one side, then follow up with a finishing cut on the other side, without going back to change the setup. This certainly helps save time.

Now that the shave is set up, usage is similar to many wood cutting tools. The wood grain will dictate the direction that cuts the cleanest. I find that holding the wood I’m working, in a vise or shave horse, allows me to use both hands on the shave which provides greater control. I’ve seen some folks use the shave by holding the wood in one hand and the shave in the other. For me, this is a recipe for disaster, whether it be a poor surface or possible injury. Just remember that a shave is a finesse tool, and with that, small changes in pressure will make a difference in your results. Find the wood holding device that works best for you, and start making some shavings.

I hope to see some of you at our upcoming events, listed on the Lie-Nielsen website. Stop by and say hi.


Lee Laird has enjoyed woodworking for over 20 years. He is retired from the U.S.P.S. and works for Lie-Nielsen Toolworks as a show staff member, demonstrating tools and training customers.

Mar 312011
 

This article is a continuation of a two part post. To read part one, click here.

Now it’s time to glue the pieces back together. I use standard yellow glue for my planes, and it works great.  Before applying glue, I use the dowels to line up the heel and toe on one of the side-pieces. I then draw a line against the core pieces, so I know where not to apply glue. Repeat the process on the opposite side. Get all of your clamps together, so you’re not scrambling around at crunch time. Now it’s time to apply the glue.  Apply a very thin layer of glue on all mating surfaces, making sure not to get into the non-glue area.  Remember, if you put too much glue on the pieces, you’ll struggle with all of the squeeze-out.  After applying the glue, push the dowels into place, so everything is aligned properly. It’s a good idea to remove the squeeze-out in the throat opening before it hardens. I use a small putty knife that I’ve ground to a point on one side, so it gets right into the corner. After applying your clamps, let it cure for a couple of hours, or even overnight. That way you’ll come back to it good and rested.

When the glue is cured, cut the dowels off flush with the body.  Now it’s time to drill the hole for the cross bar. I bought some 3/8” mild iron rod at the local big box store to use for my cross bar. It’s easy enough to cut and work with, using either a hack saw or a jig saw.  I use a scrap piece of hard wood when determining which drill bit matches best for the cross bar. After finding the right bit, I go to the drill press so I can drill the hole for the cross bar. To determine where to drill, find the intersection of the sole and the bed. Draw a light line up approx 1-25/32”, then approx 23/32” towards the bed. This is a decent approximation, which can be modified on future builds, if desired. Make sure you clamp the plane body to your drill press table. You don’t want it spinning around and either hurting you or damaging your project. On my planes,  I want the cross bar to slide into place with very slight friction. This is so I can remove it, and re-install it while working on the final build, so I can cut the body to shape without worrying about hitting the cross bar.  I drill completely through the first side (with the leftover triangular piece stuffed into its original opening) and about half way into the other side.  This method allows me to “hide” the cross bar entry point, if I wish, by plugging the entry hole.

Now it’s time to cut your plane into your desired shape. Remember, it’s a good idea to have the back of the plane iron at least slightly above the top edge, so it’s easier to set or adjust the iron. After cutting to shape, you can use rasps, files, chisels, sandpaper, and anything else you desire to finish your plane’s surface the way you like. Some prefer a very smooth outer surface, where others like it to have texture so it’s easier to hold onto. This is personal preference. I usually use a chisel to put a bevel on all edges, so they are both stronger and feel better to the hands.  If you don’t feel comfortable with this, sandpaper will knock off the edges, too. Now that the shaping is completed, you’ll need to make a wedge out of the left-over triangular piece.  The fitting process can take a while, but it is another skill learned.  Slide the cross bar into place, put the iron onto the bed and then put the wedge between the cross bar and the iron.  Tap the wedge with a little force, so the cross bar marks the wedge where it makes contact.  This will show you which portion is making contact, and which area is too low.  Use your preferred method to remove material from the area on the wedge where it made contact. Reinsert the wedge, and repeat until the wedge is showing signs of contact with the cross bar, all the way across, or at least on both edges. (If it is making contact on both edges, it will apply equal pressure across the iron) It’s a good idea to work the fitting until the wedge reaches down past the cross bar about an inch or an inch and a half. Remember to take the fitting process slowly, as you can always remove more, but it’s more difficult to add material to the wedge.

If all things have gone well, your iron will not show through the sole of your plane.  This may sound like a problem, but in actuality, it allows you to slowly work the plane until you have an extremely tight mouth. This is important, if you intend to take extremely fine shavings and work figured woods. To remove the excess wood, you can take fine shavings on a powered jointer, use a jointer plane, or even tape sandpaper down on a flat surface. Whichever way you choose, just work gradually, so you can sneak up on it.  When you get close, you can also use a small file to open up the mouth, so you are removing less material and don’t end up with too large of a mouth.

Now that you’ve completed all of the build and setup, there is one last thing to remember. Sharpen the iron so it is razor sharp.  Dull irons just don’t ever give good results. If you aren’t comfortable with sharpening, this video provides some great tips.

I hope to see some of you at our events across the country.  Feel free to come up and say hello.


Lee Laird has enjoyed woodworking for over 20 years. He is retired from the U.S.P.S. and works for Lie-Nielsen Toolworks as a show staff member, demonstrating tools and training customers.

Mar 302011
 

I talk a lot about both setting up and using hand planes. Probably about 95% or more of my audience will either go to their favorite shop to buy a plane, or work to restore an old family heirloom or a garage sale find. There is another way to obtain a plane, and it brings with it the chance to hone some extra skills: Make a wooden plane.  The majority of my personal planes are manufactured, but I did make a wooden plane about five years ago, and have made a couple more recently. For some reason, the thought of making a plane can seem pretty daunting, but most can make one successfully.

Now, there are really two types of wooden bench planes, in my opinion. One requires a bit more skill than the other.  The first is what you’d likely find in workshops in the 1700s on into the  invention of the metal hand plane (and even beyond for many).  This plane type requires wood to be evacuated from the area that will become the mouth of the plane and up through the body.  In most cases, the body of the plane retains most of its structure.  The second, and in my opinion less demanding plane to make, is one where the wooden body is cut into three base pieces.

Two outside “faces” are removed from the center core. The center core is again cut into three pieces (toe, heel and a left-over that will make the wedge). By having the core separate from the other two pieces, you can easily use saws (table saw, band saw, hand saw…) to make the cuts establishing the “heel” piece which will create the bed for the iron, and on the “toe” piece, the curved relief opposite the bed, so shavings can easily be removed from the plane. The bed is what the iron rests on, while it is in the plane.  Many bench planes utilize a 45 degree angle for the bed, as this is good for the majority of work. If you are working with very figured wood you can change this bedding angle from 45 degrees up to 50, 55 and even 60 degrees. It does become more difficult to push a plane that is bedded at these higher angles, but they do an outstanding job of handling some of the most figured woods.

The wood for the body should be a dense hard wood.  There are many different types of woods that can be used, so it’s basically up to the maker. You can make a plane out of 8/4 wood, with the thickness of the wood as the maximum height of the plane, or you can laminate any thickness of wood where the wood thickness is now the width, rather than the height. This provides more flexibility in the design phase, removing the body height limitation you incur with non-laminated wood bodies, while also keeping the cost down as thicker wood blanks (10/4 and thicker) usually command a higher cost.  One last thing to remember, relating to the wood grain, is you want the grain running from the toe down towards the heel.

Before you make any cuts, I like to drill holes for alignment dowels, in the four corners of the plane blank.  These will allow you to get the pieces back into their original orientation when you are gluing up the pieces, after you’ve cut the blank into the required pieces. The next step is to do some layout. For this stage, it is best if you already have the iron you will use in the plane in your possession. This allows for direct measurement, so things actually fit together after the glue-up. Measure the width of your iron, and then add on between an 1/8” and 1/4”, so you can adjust the iron slightly when setting the plane for work. Center your measurement on the plane blank. Mark lines down the length of the plane, as reference, before beginning your cuts.  One reminder, always cut on the outside of your line, as any material removed from the center section could diminish the available adjustability, or even send you to the grinder in order to remove metal from the iron so it will fit the opening.

Next is cutting the center section into the three sections.  First, choose the angle you want for your iron.  Mark the angle on the outside edge of the center core, with the angle intersecting the sole about a third or so back from the toe.  This cut can be done on a table saw, which can leave a glass smooth surface, or you can use whatever means are available to accomplish the same end results. The other cut line is to a slight arc, coming up from the sole with enough angle so you can reach in to get out shavings. There is nothing hard and fast about which angle you choose.  I chose between 60 – 70 degrees, but you can try some different, if you wish.  This second cut, since it is a curve, is best made with a band saw, or something else that can handle the curvature.  Remember to keep the extra “triangle” piece, for your wedge, and it also comes in handy to back up the side walls when drilling the hole for the cross bar.

Next up is removing material on the bed of the heel piece, so the screw for the chip breaker has enough room for the iron to sit flat on the bed. Measure the screw head and then mark out with a little buffer added on, centered on the bed, from the top down to about a half-inch or so from the sole. This will give you enough range so your plane will function for a long time, even after many many sharpenings. I used my dremel, with a flat bottom bit, to remove the necessary material. I did use one of the attachments that allow the dremel to work much like a mini router, so it kept the depth of cut consistent.


Join us here tomorrow to read the rest: I’ll talk about the process for gluing up and finishing my homemade wooden plane!

This is Part one of a two-part post. To continue to Part two, click here.


Lee Laird has enjoyed woodworking for over 20 years. He is retired from the U.S.P.S. and works for Lie-Nielsen Toolworks as a show staff member, demonstrating tools and training customers.

Feb 272011
 

It’s interesting how many of our show customers will gravitate towards our largest plane, the #8 Jointer Plane.  Even those who are not woodworkers, and may just be accompanying a friend or colleague, seem to have the same tendencies.  I guess it shouldn’t be too surprising, as this is one massive tool.  The #8 plane weighs in at 10 lbs, which sounds like it would be unwieldy to use, but in actuality the mass is very beneficial keeping the tool moving through the cut, and if you’ll remember to hit the sole with a bit of paraffin wax, the effort used drops dramatically. The #8 Jointer is the longest of the metal bench planes and the length of the sole is what makes it such a good choice for flattening wood.

I’ll use a sea/boat analogy to describe why this extra length makes a difference. When out on the ocean, there are usually waves to navigate.  Let’s say you have a 240 ft boat, and a 60 ft boat. If there happens to be 70 feet between waves, then the 60 ft. boat will just ride up and down the waves, but the 240 ft. boat will span across 2+ waves at a time, so it will just ride on the tops of the waves, and will not follow the large up/down undulations. This is very much like comparing a #8 Jointer and 60 1/2 block plane (actually, since the #8 is 24” and the 60 1/2 is approx 6”, I chose the boat sizes as larger scale sizes of these two planes) working wood that is not yet flat and true.  The hills and valleys in the wood can be seen as the waves in water, even though they are obviously much smaller.  The concept, though, is similar.  If you are trying to make a rough piece of wood flat, then you need something long enough to span across the tops of the “hills”, and not just continue to follow the existing contours, like planes with shorter soles.

Beyond the flattening role of this plane, it can handle other work as well.  Another job in which this massive plane excels, is when it is used to “shoot” edges using a shooting board. For those not familiar, there are plans showing how to make a shooting board available for download at the Lie-Nielsen website. Shooting can work on end grain to sneak up on the exact dimension (a thousandth of an inch or so at a time), can work on long grain, or with fence modifications, can shoot angles (miters) other than 90 degrees on the ends of boards.

The Jointer plane is set up similarly to most of the other bench planes. The blade should be razor sharp (which is the same on all cutting tools), and many will want to apply a small camber (curvature across the width of the iron). This small cambering prevents the all-dreaded plane tracks, which are left when the corner(s) of the iron cut deeper into the wood than the surface adjoining it. The shaving thickness should be in the 4 – 5 thousands of an inch range, and so the camber should be sufficient that neither of the corners will make contact with this thickness of shaving. Similarly, the opening between the cutting edge and the front of the mouth shouldn’t be too wide, but just enough for this thickness of a shaving to pass without clogging.

Another thing I always try to remind people, is how this plane can always sub in for a fine smoother (just remember that statement doesn’t go both ways, as the shorter smoother can’t adjust its length). The only thing I’ll adjust in the setup, if I’m intending to perform smoothing functions, is the depth of cut.  I’ll back the iron out and then advance it until I have a 1 – 2 thousands of an inch shaving. Since the throat opening is usually still in the 6 – 7 thousands of an inch range, this will give decent support for all but the most figured woods. If the wood does happen to be too difficult to prevent tear out, then I’ll just switch over to one of my dedicated smoother with their super tight throat settings. Most of the time though, the jointer can do an adequate job, and depending on how large the area being worked is, it may just save the extra couple of steps over to your toolbox.

I hope to see some of you at our events across the country.  Feel free to come up and say hello and make sure you try out our #8 Jointer.


Lee Laird has enjoyed woodworking for over 20 years. He is retired from the U.S.P.S. and works for Lie-Nielsen Toolworks as a show staff member, demonstrating tools and training customers.

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